Robert Altmans The Long adieu As A Genre Revisionist movie "Robert Altmans The Long Goodbye attempts to do a very touch on thing. It tries to be all genre and no story It makes no serious effort to reproduce the Raymond Chandler detective novel it on the dot takes all the characters out of that novel and lets them stew to dragher in something that feels like a private-eye movie." ---ROGER EBERT (REVIEW) The period of American cinema amidst 1965 and 1975 produced galore(postnominal) films that almost completely restructured classical Hollywoods accept genre conventions.
A fine example of this would be Robert Alt mans unorthodox take on Raymond Chandlers Philip Marlowe in The Long Goodbye (1973), a detective film based on the terminal give in Chandlers Philip Marlowe series. Altman, who is known for turning close to handed-down genre conventions, revises and reinvents the film-noir style made popular by puppet Powell in Murder, My Sweet (1944), Humphrey Bogart in The Big Sleep...If you indigence to get a full essay, order it on our website:
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